![]() Plug-in-specific features include global low- and high-frequency adjustment on the Super Lead model and an input noise gate on the Jubilee. All three plug-ins allow you to select dynamic mics, as well as FET and valve condensers and each one has a master-output level control that operates post faders. In effect, it’s a mock up of a typical guitar recording setup that might be used by a pro engineer in a commercial recording studio.įor each of the plug-ins, the room microphone models are pre-selected – a Coles 4038 ribbon and ELA M 251 for the Bluesbreaker, a C12 for the Super Lead and for the Silver Jubilee, a 4038 combined with an RNR, which can be routed through a delay effect with a feedback control and a range from 0ms to 300ms.Įach channel can be activated and panned individually and the choice of close proximity microphone models is extensive. ![]() ![]() Click on that, and a small section of a mixing desk opens up with faders corresponding to two close mics and various room mics – the Bluesbreaker and Jubilee get two and the Super Lead only one. To the right of the control panels, you’ll see the words ‘Channel Strip’. ![]()
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